The allegory of the present in the Psycho-thriller – the way of the other-than the work, but it is not 100% correct, makes it all the more a man among all the works of the filmmaker, but it is so honest on your own application, it is almost endearing.
Even if you don’t have the budget of a blockbuster “Noah” (2014), the draft of the “mother” of the amounts to his most ambitious project. And, like many of his earlier works, such as “Pi” (1998), or the “fountain of life” (2006), Aronofsky is clearly not a matter of, in the sight of the audience.
“Just come in, if you want to take a ride on a roller coaster,” says Darren Aronoksky of ‘mother.’
Ignorance is a blessing
To get to the room, which is ideal to know as little as possible on the production in the film. So, if you haven’t seen the Film, and there is still time to stop this text from page to page. It will be right here waiting for your return, later, with his head full of questions.
The reader is persistent, but you don’t have to fear all the sea princesses. To avoid them, the action is a recommendation, which is as close as possible to the officer, who was also on the trailer – that’s it, nothing adds to those who already have a basic understanding of the work, and you don’t ruin the experience for those who do not know. is
A couple of of a author (Bardem) and more of an old man and his wife (Lawrence) leads a quiet life, during the renewal of their isolated house in the middle of the field. Your rest is disturbed by the unexpected arrival of a mysterious man (Ed Harris) and his wife (Michelle Pfeiffer). In accordance with the flow of increases, the uninvited guests, and the young man goes about his relationships, and your hands and feet.
Javier Bardem and Jennifer Lawrence lives with double trouble, ‘Mama!’ — This is A Simple.
2 thousand years back in 25 minutes)
The camera is always close to the point-of-view, in contrast, the audience follows the journey of a car descobrimento and the question of the main character, is a constant in the work of the Director.
The similarity is so great, not to be confused in the confusion of personality with your own audience, as well as all of the feelings that you experienced. The result is a film full of sadness and helplessness before the unknown, the inevitable, the feeling is not nice that you seem to sink, slowly, both the mother of the title, for those on this side of the screen. is
The slow pace of the action for a journey, and every discovery seems like a painful performance. At least until the first half of the story, when the progress of events, which accelerates in a geometric progression, and the events that seem to be falling all over each other. In the course of the last 25 minutes, you have to compress the impression, by more than 2-thousand-year history.
To confuse you In the end, the presence of Lawrence, the public. Maybe it’s an actress on a minor notes, which would help the understanding of “mother. “” this is not a movie, commercial, or conventional, but they are just a few of the names that you were able to give life in all its forms is so accurate in the creation of Aronofsky, the characters of the font.
Even so, many will leave the cinema without knowing what exactly occurred in the last 121 minutes. It’s hard to blame them. When the main character, in need of help, at the end understand what you lived through, what chance do we have?
The house itself is an important character in ‘mother!’ Jennifer Lawrence — this is a simple.